I never did meet Tony de Mare last summer, when we were both performing at the Portland Piano International festival. I arrived at the festival venue 5 minutes after he had left the building on his way to the airport, having just finished up a masterclass following his concert the night before. The next evening, I played my festival concert, and at the reception one of the audience members complimented the definition in my arms, as displayed in a strapless gown. "And", he said "we couldn't help noticing that Mr. de Mare also has a very impressive physique. Tell me, are all classical pianists in such amazing shape?"
Hmmm....
My arms are, admittedly, fairly well cut, due both to my hours at the piano and to a slightly obsessive gym habit. But when I did meet Tony, a couple of months later at a New York concert, I had a chance to check out the competition, and I am pretty sure that if it came to it, he could arm wrestle me under the table without so much as flexing a bicep. (See biceps>>>>>>)
Hmmm....
My arms are, admittedly, fairly well cut, due both to my hours at the piano and to a slightly obsessive gym habit. But when I did meet Tony, a couple of months later at a New York concert, I had a chance to check out the competition, and I am pretty sure that if it came to it, he could arm wrestle me under the table without so much as flexing a bicep. (See biceps>>>>>>)
Trained as a dancer and actor as well as a pianist (and, I'm guessing, harboring a little gym habit of his own), Tony is known for the impressive physicality of his piano playing. He's also notorious for the tremendous breadth and flexibility of his musical interests. An intrepid and eclectic champion of new music, he has been collaborating with composers for over 20 years to create a huge and unique repertoire that showcases his singular range of talents. His projects consistently reflect his interest in achieving what Justin Davidson of Newsday has called the "slippery fusion" of music and theater. In De Profundis, a multimedia work written for him by Frederic Rzewski, Tony recites from Oscar Wilde's prison journal and sings in a falsetto croon, while performing the fiendishly virtuosic piano score in near-darkness. In Playing With Myself, a piece of "concert theater" he created with director Sal Trapani, he fuses piano performance, song, dance sequences and autobiographical dramatic sketches to tell the story of a young man whose exploration of his anguished
longing culminates in a transforming romantic encounter at a gay
nightclub. His latest CD, SPEAK - The Speaking-Singing Pianist, (Innova 2010) is uniquely recording devoted to the pianist/vocalist genre that he created over 20 years ago.
"The pieces have enough in the way of music, story and pacing that time goes by quite quickly. And it is time spent to good use. In a way, this is the thinking person's Broadway, the hipster's alternative to opera, the musical equivalent of a very dynamic poetry reading, theater for those jaded with the usual claptrap. It's a trip that you will very much enjoy if you have an open mind."- Grego Edwards, Gapplegate
Tony's latest project, Liaisons: Re-Imagining Sondheim from the Piano, may be the most ambitious in a long line of ambitious efforts: a landmark commissioning and concert project that focuses on the prolific output of one of his musical heroes, Stephen Sondheim. Tony has brought together 36 composers, both emerging and established, including Steve Reich, Fred Hersch, Eve Beglarian, Fred Rzewski, Tania Leon, Daniel Bernard Roumain, Mason Bates, and Gabriel Kahane, to create solo piano pieces based on Sondheim songs of their own choosing. The resulting "re-imaginings" bring Sondheim's work into the concert hall while spanning the classical contemporary, jazz, film, theater and pop worlds. For Tony, this an intensely personal project, a labor of love, and what he calls a "career realization", the perfect melding of his musical passions and personal history.
Previews in Portland, San Francisco, New York and DC have generated excitement and terrific reviews. The highly anticipated official New York premiere of Liaisons takes place at Symphony Space this Saturday, April 21.
Tony and I caught up over Skype to talk about the exhilarating experience of reimagining giants, looking back, and looking forward all at once.